Let us make this “a season to be jolly!” Despite our troubles, let us rekindle the fond memories of Christmas past for our parents,  grandparents, and children. Let us touch the sentimental strings of carefree and youthful days that once consumed Baby Boomers and our military veterans.

Let us start with the idea of organizing some of our holiday festivities around the theme of singing carols and holiday songs. It doesn’t get better than hearing joyous Christmas songs while hauling in and trimming the Christmas tree.

Some familiar old-timers reminisce about the joy of Christmas songs and carols.

The late Andy Williams, a popular singer of the 1960s and 1970s, described celebrating the Christmas season in an interview with me several years ago. “It was such a great time,” Andy said, as he and his three older brothers used to go house to house singing carols and drinking eggnog in Wall Lake, Iowa.

“Those were the days when you knocked on a neighbor’s door and opened unlocked doors.” The talented singer who in later years starred at his Moon River Theater in Branson, Missouri, suggested it would be a nice thing to renew the tradition of caroling around the neighborhood, or one’s home town, “because it is such a wonderful thing to do.”

Della Reese, familiar to television viewers for her earthly role in the popular 1994-2003 program “Touched by an Angel,” wrote to me at the same time “I just love the way Christmas carols change the spirit and attitudes of us all.” An accomplished singer and ordained minister, in addition to her acting skills, she described “Silent Night” as a magnificent thought, and her favorite holiday tune as “Chestnuts Roasting on an Open Fire” sung by the mellifluous Nat “King” Cole. The irrepressible Della added, “In fact, I don’t really start my Christmas in earnest until I hear Nat sing “The Christmas Song.”

The late country and pop singer, Gene Pitney, enjoyed considerable success on both sides of the Atlantic through the mid-1960s with more than twenty Top 40 singles, including hits “Town Without Pity” and “Only Love Can Break a Heart.” In an e-mail Gene fondly recalled carving the turkey when his large family gathered for the holidays and the singing of Christmas carols. “I prefer religious carols,” he said, “that have not become jaded by commercial overuse. They represent the essential Christmas message.”

Take a cue from Andy, Della, and Gene. Start this holiday season with the idea of organizing your festivities around the theme of singing carols and holiday songs.

Celebrate with friends and family at home beside the fireplace or piano, or while trimming the Christmas tree, with traditional classics as “O Little Town of Bethlehem,” or “The Twelve Days of Christmas,” or singing such nostalgic holiday fare as “White Christmas,” “Have Yourself a Merry Little Christmas,” or “Rudolph the Red-Nosed Reindeer.”

Encourage friends to join in the singing of “Silent Night” and “We Wish You a Merry Christmas” in front of your neighbors’ city stoop or country home. Better yet, why not sing for our senior citizens at nursing home or an assisted care facilities, or at a food kitchen for the poor and homeless, or a military hospital for our aged veterans or wounded warriors? Rest assured your caroling there will be met with open hearts and ready smiles.

Or you might volunteer to take part in the local performance of Handel’s “Messiah” for other worthy causes, or support a local church by attending its vesper service where awe-inspiring Christmas motets and concertos may reverberate, and where the reverential carol-hymn “O Come, O Come, Emmanuel” soars to celestial heights on the wings of angels. This is truly music for the soul.

Though the custom of singing Christmas songs and carols in front of neighborhood homes may seem quaint and outdated, let us redouble our efforts, especially this year, to engage young and old alike in reviving a wonderful Christmas tradition that is never out of fashion.

Ron Clancy is a Christmas songs and carols historian, and the author of illustrated Christmas music gift collections at www.christmasclassics.com.

In 1988 I thought it would be a neat idea to share the riches of my Christmas music collection. So for Christmas I gift-wrapped four audio cassettes of the finest recordings from my collection and gave them to family and friends. Each gift collection was accompanied by an 8-page type-written directory with a Chinese red cover titled “A Gift of Sound.” Besides having a decorative, though primitive look, the directory of song titles was intended to be easier on the eyes than my barely legible long-hand. Just imagine writing the same information on cassette index cards four times twelve, or forty-eight total! The thought was enough to give me writer’s cramps. My quaint IBM Selectric II typewriter, however, saved me the trouble and as a result the directory included not only selection titles, but also brief liner notes that sometimes indicated the origin of each carol, holiday song, or instrumental piece.

Some of my friends included those of the Jewish faith married to Christian partners. They admitted that although they usually felt left out at Christmas, they were indeed appreciative of my eclectic Christmas music gift. What made the collection special for most was the quality of the music. Quite unlike what they were accustomed to hearing during the holidays, it encompassed Gregorian chant, once the Christmas music of its day, and such classical pieces as "Anima  Nostra,” Bach’s “Christmas Oratorio,” the German motet ""Hort zu lieben Leute," and the Spanish villancico, "Riu, Riu, Chiu” just to name a few. The collection was rounded out by lyrical English carols from the 16th and 17th centuries, and better known traditional fare, particularly carol hymns as "O Come, O Come Emmanuel” and “Adeste Fidelis,” or classic holiday songs as “White Christmas,” and “The Christmas Song.” In all, the four cassette collection totaled one hundred and twenty-four titles. Most came from England, France, Germany, and the United States. Entries from Austria, Czechoslovakia, Poland, Italy, and Sweden were also part of the mix. By the end of the 1988 Christmas season I was being encouraged by several friends to do something about my great interest in Christmas music, suggesting that I should pursue my interest and take advantage of my college degree. This I did. And in 1989 I was on my way.

SPECIAL PERSON OF THE DAY – Émile Waldteufel (December 9, 1837 – February 12, 1915)

The composer of Les Patineurs, Op. 183, Émile Waldteufel died in Paris and is buried at Cimetière du Père Lachaise there. The composer was born in Strasbourg, France to a Jewish Alsatian family of musicians. In 1882 he composed the best-known waltz of his career – Les Patineurs (a.k.a. "The Skaters’ Waltz" in English). Inspired by the Cercle des Patineurs, or "’Rink of Skaters’ at the Bois de Boulogne in Paris, the waltz has since been played in various venues, from concert halls to movies such as The Hollywood Revue of 1929 and Chariots of Fire, to music games like Gamecube’s “’Dance Dance Revolution Mario Mix” and Arc System Works’ “Princess on Ice.”

Waldteufel’s famous waltz evokes wonderful imagery: a poised skater gracefully gliding along the ice and swirling about a ring of other skaters as part of the wintry atmosphere. The delightful music includes the sound of bells that adds a nice touch to the outdoor scene. The noted conductor Arturo Toscanini led the NBC Symphony Orchestra on January 28, 1945, at Carnegie Hall, New York, in a fine RCA Victor recording of Les Patineurs

 
Grave of Émile Waldteufel